I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I was blown away by the authentic voices of the characters, the quick pacing, and the theme of justice confronting racial hatred in a courthouse and a community. Something tells me that Grisham himself might be most proud of this first novel, even over his many fine ones that followed it. Recently, I went back to read some of this book.
I wanted to remember how Grisham wrote about place and atmosphere. I found myself sweating as I took in his words describing the hot southern town. I re-read the entire novel.
______________________________ THE MULTI-MILLION COPY BESTSELLER
John Grisham's first and most shocking novel, adapted as a film starring Samuel L. Jackson and Matthew McConaughey
When Carl Lee Hailey guns down the violent racists who raped his ten-year-old daughter, the people of the small town of Clanton, Mississippi see it as justice done, and call for his acquittal.
But when extremists outside Clanton - including the KKK - hear that a black man has killed two white men, they invade the town, determined to destroy anything and anyone that opposes their sense of justice. A national media circus descends on Clanton.
I read it in high school, again in college, and still again (twice) as an adult, once aloud to my 3 young daughters over 3 weeks at bedtime. For me, it is the most powerful, frontier-themed American novel out there.
I love a novel that educates me and tells me things I am surprised I didn’t know because I should have, in beautifully constructed sentences.
The dialogue carries its characters so naturally that it is as if you are speaking with them yourself at your main room table in your 18th-century frontier home in Pennsylvania.
A beautifully illustrated edition of a novel that has enthralled young American readers for generations. It is the story of John Cameron Butler-captured as a small child in a raid on the Pennsylvania frontier by the Indian tribe Lenni-Lenape. Adopted by the great warrior Cuyloga and renamed True Son, he has spent 11 years living and thinking of himself as fully Indian. But when the tribe signs a treaty that requires them to return their white captives, 15-year-old True Son is returned against his will to the family he had long forgotten, and to a life that he no longer…
The novel’s evocative intensity hit me like a brick in the head. From page one, it never let up. I urge readers to set aside if they can, the literary/political ethnicity storm that the book engendered and simply accept and enjoy the quality of the storytelling by Ms. Cummins.
I initially listened to it as an audiobook. I wondered if my favorable view might be attributable to some degree to the extremely effective first-person female narration. When I then read the book in print, I was disabused of any such impression. The writing is terrific.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
I think this novel did more to open white minds to the needless social harm of racism than any other book. It’s almost unparalleled success in reaching American readers of all ages, in my view, places it at or very near the top of the list of great American fiction.
Though not Harper Lee’s intent, her literary and commercial blockbuster remains an enduring tutorial for writers like me: writers preoccupied with storytelling and the voices telling it. Sometimes, after a long writing session, I read a random chapter of Mockingbird to relax and to keep myself modest.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
What is there not to love about this novel? Let me count the reasons, if I can, that I did love it:
It's unvarnished, simple, elegant prose. The searing vulnerability of not only the central protagonist but many surrounding characters as well. The theme of family failure but also family triumph. Its resonating depiction of life circumstances and survival collides head-on with legal norms and personal choice.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
Will Goodbow, a wealthy conservative husband from Rhode Island, promises his dying liberal wife that he will take up her last political and social cause: the reunification of Central American parents with their children separated at the Texas border in 2018.
Guided by his loyalty to Grace and aided by the courage of a nun in El Paso and the private captain of his ocean sailing yacht, Will risks his freedom by finding 12 deported mothers and fathers in Honduras and secreting them into the United States and then to their children living in foster homes in a small Minnesota town. He is arrested and tried for federal migrant-smuggling charges before a hard-nosed judge; his case and the Minnesota community draw national attention and suspense.
To hide a corporation’s failure to properly service a space ship, Captain Jonas Stryker is prosecuted but saved from imprisonment by a dying man, who hires Stryker to collect asteroids for their mineral content. Stryker soon finds he must stop a shadowy corporate group called The Board, who employ space piracy, terrorism, and even weaponised asteroids to overthrow the Federation government.
Set in Lagrange points, space stations, the Moon and outback Australia, it is a fast-moving story with some speculative future technology. If you were interested in the NASA attempt to alter the orbit of the asteroid Dimorphos, you might…
When a trial to cover-up a corporate failure ends Captain Jonas Stryker's career, he wants revenge against The Board, a ruthless, shadowy organization with limitless funds that employs space piracy, terrorism, and even weaponised asteroids. Posing as a space miner, Stryker learns that The Board wants him killed, while a young female SCIB police agent wants retribution against him for having her career spoiled at his trial. As Stryker avoids attempts to kill him, he becomes the only chance to prevent The Board from overturning the Federation Government and imposing a Fascist-style rule. A story of greed, corruption and honour,…
